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Mihaly Munkacsy 1844-1900
Hungarian
Mihaly Munkacsy Locations
Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo".
Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
Mihaly Munkacsy Dusty Road I 1874
Hungarian National Gallery, Budapest
Painting ID:: 2797
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Mihaly Munkacsy Study for Golgotha 1882
Hungarian National Gallery, Budapest
Painting ID:: 2798
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Mihaly Munkacsy Woman Carrying Faggots 1873
Hungarian National Gallery, Budapest
Painting ID:: 2799
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Mihaly Munkacsy The Sacrifice of Flowers 1896
Hungarian National Gallery, Budapest
Painting ID:: 2800
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Mihaly Munkacsy Wounded Wanderer 1870-76
Walters Art Gallery, Baltimore
Painting ID:: 2801
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Mihaly Munkacsy Ecce Homo 1895-96
Deri Museum, Debrecen
Painting ID:: 11868
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Mihaly Munkacsy Christ before Pilate ca 1881
2' 11'' x 3' 9 3/4''(89 x 116 cm)
Painting ID:: 56942
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Mihaly Munkacsy christ before pilate mk247
1881,oil on canvas,164x250 in,417x636 cm,deri museum,debrecen,hungary
Painting ID:: 72248
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Mihaly Munkacsy Christ in front of Pilate Christ in front of Pilate, 1881. Oil on canvas, 417 X 636 cm. Deri Museum, Debrecen (loan till 2007, now in Canada).
Painting ID:: 72972
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Mihaly Munkacsy Paradise Lost Date ca. 1899(1899)
Medium Oil on panel
Dimensions 61 X 49.2 cm (24.02 X 19.37 in)
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Painting ID:: 73312
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Mihaly Munkacsy Lifeboat Date 1847(1847)
Medium Oil on canvas
Dimensions 135 X 190 cm (53.15 X 74.8 in)
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Painting ID:: 73874
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Mihaly Munkacsy christ before pilate 1881. Oil on canvas, 417 X 636 cm
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Painting ID:: 83726
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Mihaly Munkacsy Le Christ devant Pilate 1881[1]
Medium Oil on canvas[1]
Dimensions 89 x 116 cm (35 x 45.7 in)[1]
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Painting ID:: 84327
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Mihaly Munkacsy Pawnshop 1873(1873)
Medium Oil on panel
Dimensions 92 x 72 cm (36.2 x 28.3 in)
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Painting ID:: 84328
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Mihaly Munkacsy Pawnshop 1873-1874
Medium Oil on panel
Dimensions 43.3 x 31.5 cm (17 x 12.4 in)
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Painting ID:: 94034
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Mihaly Munkacsy A Study for 1899(1899)
Medium oil on panel
Dimensions Height: 61 cm (24 in). Width: 49.2 cm (19.4 in).
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Painting ID:: 97242
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Mihaly Munkacsy Az isaszegi csatater 1868(1868)
Medium oil on canvas
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Painting ID:: 97715
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Mihaly Munkacsy At the Watering Trough 1869(1869)
Medium oil on canvas
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Painting ID:: 97717
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Mihaly Munkacsy The Last Day of a Condemned Man I 1869-70
Medium oil on canvas
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Painting ID:: 98359
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Mihaly Munkacsy Study for Milton 1877(1877)
Medium oil on canvas
Dimensions Height: 55.5 cm (21.9 in). Width: 46.4 cm (18.3 in).
1844-1900
Hungarian
Mihaly Munkacsy Locations
Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo".
Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
